An LFO fade-in or fade-out is actually easily employed (well, I dunno
about "employed"
but it's *probably* not that hard to implement), you just have to imagine the
fade-in or fade-out function as an additional ADSR, modulating LFO depth.
I already have given some ideas of mine in another post, I dunno if
they may be of
interest to anyone, but still, they could give yoshimi many more
possibilities in,
maybe, relatively little work (I have little knowledge of programming,
but based on
what I know, they should be relatively easy to implement in a basic
way, I don't know
about bugs or weird behaviour though).
Adriano
On 23/11/10 23:11, Will J Godfrey wrote:
[ ... ]
One that immediately springs to mind is that if we have full control of LFO
depth (which I'd very much like) couldn't we use that in place of delay? It's
only on really long notes that this is significant and noticeable (shorter
notes
have been and gone before a delayed LFO comes in), and actually I would much
prefer to be able to *slowly* introduce a delayed LFO - or indeed fade it
out -
rather than have it suddenly chop in. Also if that is done, LFO start phase
becomes irrelevant.
I'm intrigued by the "*slowly* introduce a delayed LFO - or indeed fade it
out"
part - sounds highly technical! So far I've no idea how it might be
implemented,
which is not to say it can't or shouldn't be attempted.
In case you haven't noticed already, I don't have a solid understanding of all
this, so I'm totally dependent on the "instrument makers" among us to spell
out their needs. I am learning ever so slowly though, which is kinda nice.
cheers.