[etni] Response to Maxine's Question

  • From: James Backer <drjamesbacker@xxxxxxxxx>
  • To: etni@xxxxxxxxxxxxx
  • Date: Fri, 6 Feb 2009 03:19:10 -0800 (PST)

Greetings, all!
 
I would like to thank Maxine for her question. I was wondering if people really 
knew where I was coming from and whether I should take more ETNI space to 
explain.
 
I started teaching EFL in Israel back in the days when there was a separate 
afternoon Bagrut session to answer essay questions on English Literature. (I 
suggest reading some of those essays to see how far we have subsequently 
dumbed-down the level of English teaching/learning.) 
 
Since that time, regardless of the changes of the form of the English Bagrut, I 
have continued to love teaching Literature, particularly poetry. I have seen 
classes voluntarily learn and recite Jabberwocky, just because it was a cool 
thing to do. I have seen students brought to tears over the fate of Bess and 
her Highwayman lover. With the advent of the personal computer, I merged poetry 
with technology in ways not possible in previous classes. I have had kids 
voluntarily search YouTube for various poems and then stand around the computer 
discussing the literary and technical quality of the multi-media presentations. 
In addition, I have ended up, with great notoriety, on the pages of the 
national press when I used certain HOTS procedures with Richard Corey. (Many 
thanks to Avi Tzur when he wrote to my principal that I had done nothing 
wrong.) I have had more than one former student email me to say that they saw 
me in Robert Williams’s character in
 “The Dead Poets’ Society.”
 
I have taught sections of Romeo & Juliet, comparing video clips of Zeffirelli, 
DiCaprio, and West Side Story. A number of times, my classes have composed 
their own version of the Romeo & Juliet plot, in local settings (a la West Side 
Story). Once, a class presented its masterpiece to the entire 10th grade. 
Another class demanded to go out to see then-new DiCaprio version at a local 
theater together. When I chaperoned three students in London, they were willing 
to see only Romeo & Juliet when we went down to Leicester Square.    
 
Unlike some of the teachers on ETNI, I actually like many of the older pieces. 
(That’s not to say I wouldn’t teach newer pieces as well.) In particular, I 
love teaching AMS. Although it is old hat for us, it is a new and moving 
experience for the kids. Like an actor in a long running Broadway hit, it is a 
professional challenge to offer the play to fresh eyes and ears each time we 
teach it. As for using HOTS with AMS, I finish working on it with an essay 
exam: Compare and Contrast AMS with Samuel II Chapter 11-12. I give out Hebrew 
and Russian copies of the original David and Bat Sheva story and then tell the 
kids to think first, then write. The results have been stunning.  
 
In short, I’m all for teaching English (and a bit of English-language culture) 
through Literature. My school has always taught Literature, even when it was 
not actually tested on the Bagrut. The same is true for projects. We have been 
doing various types of projects for ever. In addition, we have been using HOTS, 
whether it be in Literature, projects, creative writing, intensive and 
extensive reading, or unseens. This is just an obviously good way to teach 
English in an interesting, meaningful, and efficient way. This is the way we do 
it in our school and there are a lot of teachers who do it better than I do, 
but are inhibited about spilling their guts on ETNI.
 
My general problem comes when the MOE, in an attempt to encourage some other 
schools not to be Bagrut-factories, shackles us with very specific formats for 
Literature and projects. I dread having to create a chart in which certain 
poems will be taught via certain HOTS, etc. etc. This chart must be created and 
maintained to make sure that all the kids, regardless of changing classes, 
cover all the required HOTS. This will obviously be true for the exam mode, but 
it will most probably be true for the log mode as well. This is parallel to my 
consternation over being told that projects must take the form of academic 
mini-research papers. These mandated formats have strangled my creativity as a 
teacher and I have heard the same from many others. 
 
My specific problem is the testing of meta-cognitive awareness in an 
examination that is supposed to be testing the students’ competencies in 
ENGLISH. There’s nothing wrong with using HOTS while teaching/learning, but it 
is absolutely insane to put meta-cognitive questions in the exam. The time we 
will need to get the kids ready to answer meta-cognitive questions eats away at 
the precious time we have to teach Literature for pleasure (while 
teaching/learning English), or all the other things we want to do, or have to 
do in class.
 
And yes, I also have a problem with being told to work a lot more for no 
compensation. I was happy to hear that the pilot teachers are getting some 
extra pay for the log, but I would really like to hear the MOE’s policies about 
the future. After all, by “convincing” us to do the log, the MOE is saving a 
mountain of money when D and F are not given (or given minimally). How about 
letting the teachers who generate those savings get a bit for their extra work?
 
Sorry for the long post, but Maxine’s question opened the floodgate.
 
Jimmy  
 
 

Date: Thu, 05 Feb 2009 15:36:44 +0200
From: maxinetz <maxinetz@xxxxxxx>
Subject: [etni] Re: About "wait and see"

Dear Jimmy,

I would like to know just one thing:  are you in favor of including
Literature on the English Bagrut?  If so, how would YOU do it?

Regards, 

Maxine Tsvaigrach


      
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