Och höll på att glömma Hugo-nomineringarna (inkl s k retro-Hugos för 1943),
som, också kom i helgen (framjagat av edert strävsamma SFJ - the Best in SF &
Fandon News Since 1978!):
https://www.tor.com/2018/03/31/2018-hugo-award-finalists-announced/
2018 Hugo Awards Finalists
Best Novel
The Collapsing Empire, by John Scalzi (Tor)
New York 2140, by Kim Stanley Robinson (Orbit)
Provenance, by Ann Leckie (Orbit)
Raven Stratagem, by Yoon Ha Lee (Solaris)
Six Wakes, by Mur Lafferty (Orbit)
The Stone Sky, by N.K. Jemisin (Orbit)
Best Novella
All Systems Red, by Martha Wells (Tor.com Publishing)
“And Then There Were (N-One),” by Sarah Pinsker (Uncanny, March/April 2017)
Binti: Home, by Nnedi Okorafor (Tor.com Publishing)
The Black Tides of Heaven, by JY Yang (Tor.com Publishing)
Down Among the Sticks and Bones, by Seanan McGuire (Tor.com Publishing)
River of Teeth, by Sarah Gailey (Tor.com Publishing)
Best Novelette
“Children of Thorns, Children of Water,” by Aliette de Bodard (Uncanny,
July-August 2017)
“Extracurricular Activities,” by Yoon Ha Lee (Tor.com, February 15, 2017)
“The Secret Life of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)
“A Series of Steaks,” by Vina Jie-Min Prasad (Clarkesworld, January 2017)
“Small Changes Over Long Periods of Time,” by K.M. Szpara (Uncanny, May/June
2017)
“Wind Will Rove,” by Sarah Pinsker (Asimov’s, September/October 2017)
Best Short Story
“Carnival Nine,” by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017)
“Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde (Uncanny, September
2017)
“Fandom for Robots,” by Vina Jie-Min Prasad (Uncanny, September/October 2017)
“The Martian Obelisk,” by Linda Nagata (Tor.com, July 19, 2017)
“Sun, Moon, Dust” by Ursula Vernon, (Uncanny, May/June 2017)
“Welcome to your Authentic Indian Experience™,” by Rebecca Roanhorse (Apex,
August 2017)
Best Related Work
Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win
the Fight Against Online Hate, by Zoe Quinn (PublicAffairs)
Iain M. Banks (Modern Masters of Science Fiction), by Paul Kincaid (University
of Illinois Press)
A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff (NESFA
Press)
Luminescent Threads: Connections to Octavia E. Butler, edited by Alexandra
Pierce and Mimi Mondal (Twelfth Planet Press)
No Time to Spare: Thinking About What Matters, by Ursula K. Le Guin (Houghton
Mifflin Harcourt)
Sleeping with Monsters: Readings and Reactions in Science Fiction and Fantasy,
by Liz Bourke (Aqueduct Press)
Best Graphic Story
Black Bolt, Volume 1: Hard Time, written by Saladin Ahmed, illustrated by
Christian Ward, lettered by Clayton Cowles (Marvel)
Bitch Planet, Volume 2: President Bitch, written by Kelly Sue DeConnick,
illustrated by Valentine De Landro and Taki Soma, colored by Kelly Fitzpatrick,
lettered by Clayton Cowles (Image Comics)
Monstress, Volume 2: The Blood, written by Marjorie M. Liu, illustrated by Sana
Takeda (Image Comics)
My Favorite Thing is Monsters, written and illustrated by Emil Ferris
(Fantagraphics)
Paper Girls, Volume 3, written by Brian K. Vaughan, illustrated by Cliff
Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image Comics)
Saga, Volume 7, written by Brian K. Vaughan, illustrated by Fiona Staples
(Image Comics)
Best Dramatic Presentation – Long Form
Blade Runner 2049, written by Hampton Fancher and Michael Green, directed by
Denis Villeneuve (Alcon Entertainment / Bud Yorkin Productions / Torridon Films
/ Columbia Pictures)
Get Out, written and directed by Jordan Peele (Blumhouse Productions /
Monkeypaw Productions / QC Entertainment)
The Shape of Water, written by Guillermo del Toro and Vanessa Taylor, directed
by Guillermo del Toro (TSG Entertainment / Double Dare You / Fox Searchlight
Pictures)
Star Wars: The Last Jedi, written and directed by Rian Johnson (Lucasfilm, Ltd.)
Thor: Ragnarok, written by Eric Pearson, Craig Kyle, and Christopher Yost;
directed by Taika Waititi (Marvel Studios)
Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan
Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers)
Best Dramatic Presentation – Short Form
Black Mirror: “USS Callister,” written by William Bridges and Charlie Brooker,
directed by Toby Haynes (House of Tomorrow)
“The Deep” [song], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)
Doctor Who: “Twice Upon a Time,” written by Steven Moffat, directed by Rachel
Talalay (BBC Cymru Wales)
The Good Place: “Michael’s Gambit,” written and directed by Michael Schur
(Fremulon / 3 Arts Entertainment / Universal Television)
The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan,
directed by Dean Holland (Fremulon / 3 Arts Entertainment / Universal
Television)
Star Trek: Discovery: “Magic to Make the Sanest Man Go Mad,” written by Aron
Eli Coleite & Jesse Alexander, directed by David M. Barrett (CBS Television
Studios)
Best Editor – Short Form
John Joseph Adams
Neil Clarke
Lee Harris
Jonathan Strahan
Lynne M. Thomas & Michael Damian Thomas
Sheila Williams
Best Editor – Long Form
Sheila E. Gilbert
Joe Monti
Diana M. Pho
Devi Pillai
Miriam Weinberg
Navah Wolfe
Best Professional Artist
Galen Dara
Kathleen Jennings
Bastien Lecouffe Deharme
Victo Ngai
John Picacio
Sana Takeda
Best Semiprozine
Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
The Book Smugglers, edited by Ana Grilo and Thea James
Escape Pod, edited by Mur Lafferty, S.B. Divya, and Norm Sherman, with
assistant editor Benjamin C. Kinney
Fireside Magazine, edited by Brian White and Julia Rios; managing editor Elsa
Sjunneson-Henry; special feature editor Mikki Kendall; publisher & art director
Pablo Defendini
Strange Horizons, edited by Kate Dollarhyde, Gautam Bhatia, A.J. Odasso, Lila
Garrott, Heather McDougal, Ciro Faienza, Tahlia Day, Vanessa Rose Phin, and the
Strange Horizons staff
Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi
Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky
Best Fanzine
File 770, edited by Mike Glyer
Galactic Journey, edited by Gideon Marcus
Journey Planet, edited by Team Journey Planet
nerds of a feather, flock together, edited by The G, Vance Kotrla, and Joe
Sherry
Rocket Stack Rank, edited by Greg Hullender and Eric Wong
SF Bluestocking, edited by Bridget McKinney
Best Fancast
The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
Ditch Diggers, presented by Mur Lafferty and Matt Wallace
Fangirl Happy Hour, presented by Ana Grilo and Renay Williams
Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy
Rayner Roberts; produced by Andrew Finch
Sword and Laser, presented by Veronica Belmont and Tom Merritt
Verity!, presented by Deborah Stanish, Erika Ensign, Katrina Griffiths, L.M.
Myles, Lynne M. Thomas, and Tansy Rayner Roberts
Best Fan Writer
Camestros Felapton
Sarah Gailey
Mike Glyer
Foz Meadows
Charles Payseur
Bogi Takács
Best Fan Artist
Geneva Benton
Grace P. Fong
Maya Hahto
Likhain (M. Sereno)
Spring Schoenhuth
Steve Stiles
Best Series
The Books of the Raksura, by Martha Wells (Night Shade)
The Divine Cities, by Robert Jackson Bennett (Broadway)
InCryptid, by Seanan McGuire (DAW)
The Memoirs of Lady Trent, by Marie Brennan (Tor US / Titan UK)
The Stormlight Archive, by Brandon Sanderson (Tor US / Gollancz UK)
World of the Five Gods, by Lois McMaster Bujold (Harper Voyager / Spectrum
Literary Agency)
2018 Associated Awards (not Hugos)
John W. Campbell Award for Best New Writer
Katherine Arden
Sarah Kuhn
Jeannette Ng
Vina Jie-Min Prasad
Rebecca Roanhorse
Rivers Solomon
The World Science Fiction Society (WSFS) Award for Best Young Adult Book
Akata Warrior, by Nnedi Okorafor (Viking)
The Art of Starving, by Sam J. Miller (HarperTeen)
The Book of Dust: La Belle Sauvage, by Philip Pullman (Knopf)
In Other Lands, by Sarah Rees Brennan (Big Mouth House)
A Skinful of Shadows, by Frances Hardinge (Macmillan UK / Harry N. Abrams US)
Summer in Orcus, written by T. Kingfisher (Ursula Vernon), illustrated by
Lauren Henderson (Sofawolf Press)
1943 Retrospective Hugo Awards Finalists
Best Fan Writer
Forrest J Ackerman
Jack Speer
Arthur Wilson “Bob” Tucker
Harry Warner, Jr.
Art Widner
Donald A. Wollheim
Best Fanzine
Futurian War Digest, edited by J. Michael Rosenblum
Inspiration, edited by Lynn Bridges
The Phantagraph, edited by Donald A. Wollheim
Spaceways, edited by Harry Warner, Jr.
Voice of the Imagi-Nation, edited by Forrest J Ackerman and Morojo
Le Zombie, edited by Arthur Wilson “Bob” Tucker
Best Professional Artist
Hannes Bok
Margaret Brundage
Edd Cartier
Virgil Finlay
Harold W. McCauley
Hubert Rogers
Best Editor – Short Form
John W. Campbell
Oscar J. Friend
Dorothy McIlwraith
Raymond A. Palmer
Malcolm Reiss
Donald A. Wollheim
Best Dramatic Presentation – Short Form
Bambi, written by Perce Pearce, Larry Morey, et al., directed by David D. Hand
et al. (Walt Disney
Productions)
Cat People, written by DeWitt Bodeen, directed by Jacques Tourneur (RKO Radio
Pictures, Inc.)
The Ghost of Frankenstein, written by W. Scott Darling, directed by Erle C.
Kenton (Universal Pictures)
I Married a Witch, written by Robert Pirosh and Marc Connelly, directed by René
Clair (Cinema Guild
Productions / Paramount Pictures)
Invisible Agent, written by Curtis Siodmak, directed by Edwin L. Marin (Frank
Lloyd Productions /
Universal Pictures)
Rudyard Kipling’s Jungle Book, written by Laurence Stallings, directed by
Zoltan Korda (Alexander Korda
Films, Inc. / United Artists)
Best Short Story
“Etaoin Shrdlu,” by Fredric Brown (Unknown Worlds, February 1942)
“Mimic,” by Martin Pearson (Donald A. Wollheim) (Astonishing Stories, December
1942)
“Proof,” by Hal Clement (Astounding Science Fiction, June 1942)
“Runaround,” by Isaac Asimov (Astounding Science Fiction, March 1942)
“The Sunken Land,” by Fritz Leiber (Unknown Worlds, February 1942)
“The Twonky,” by C.L. Moore and Henry Kuttner (Astounding Science Fiction,
September 1942)
Best Novelette
“Bridle and Saddle,” by Isaac Asimov (Astounding Science Fiction, June 1942)
“Foundation,” by Isaac Asimov (Astounding Science Fiction, May 1942)
“Goldfish Bowl,” by Anson MacDonald (Robert A. Heinlein) (Astounding Science
Fiction, March 1942)
“The Star Mouse,” by Fredric Brown (Planet Stories, Spring 1942)
“There Shall Be Darkness,” by C.L. Moore (Astounding Science Fiction, February
1942)
“The Weapon Shop,” by A.E. van Vogt (Astounding Science Fiction, December 1942)
Best Novella
“Asylum,” by A.E. van Vogt (Astounding Science Fiction, May 1942)
“The Compleat Werewolf,” by Anthony Boucher (Unknown Worlds, April 1942)
“Hell is Forever,” by Alfred Bester (Unknown Worlds, August 1942)
“Nerves,” by Lester del Rey (Astounding Science Fiction, September 1942)
“The Unpleasant Profession of Jonathan Hoag,” by John Riverside (Robert A.
Heinlein) (Unknown
Worlds, October 1942)
“Waldo,” by Anson MacDonald (Robert A. Heinlein) (Astounding Science Fiction,
August 1942)
Best Novel
Beyond This Horizon, by Anson MacDonald (Robert A. Heinlein) (Astounding
Science Fiction, April & May
1942)
Darkness and the Light, by Olaf Stapledon (Methuen / S.J.R. Saunders)
Donovan’s Brain, by Curt Siodmak (Black Mask, September-November 1942)
Islandia, by Austin Tappan Wright (Farrar & Rinehart)
Second Stage Lensmen, by E. E. “Doc” Smith (Astounding Science Fiction,
November 1941 to February
1942)
The Uninvited, by Dorothy Macardle (Doubleday, Doran / S.J.R. Saunders)
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