Re: [yoshimi-user] yoshimi 0.060.8

  • From: alex stone <compose59@xxxxxxxxx>
  • To: David Adler <david.jo.adler@xxxxxxxxx>
  • Date: Mon, 4 Apr 2011 23:25:12 +0400

On Mon, Apr 4, 2011 at 7:20 PM, David Adler <david.jo.adler@xxxxxxxxx> wrote:

On Mon, Apr 4, 2011 at 4:50 PM, cal wrote:
On 04/04/11 22:56, David Adler wrote:
[...]
When saving all parameters or state, audio output is interrupted
for half a second or so (without xrun). Not too bad, since one
usually wouldn't do this during performance.

Yep, sad but true - saving state/params to file holds the lock for way too
long, so getting it it to do it quietly but without xruns was the compromise
for this one.

Certainly a reasonable compromise. As indicated above, I (and most
likely others as well) don't bother about this little gap. Even more so if
it is unavoidable.


best,
d

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Cal, downloaded and running nicely on Gentoo 64bit. And i'll add my
vote to David's for the decent compromise when it comes to saving
state. The half second we lose, we gain in stability for saving
projects.

Nice work, and my continued appreciation for the efforts you and
others have put into Yoshimi.

Will, I'm interested in building a midi instrument set (.idf) for
Yosh, with banks and patches, to use with openoctavemidi. Only thing
is, you've built 160 patches for your bank. (and thanks again for your
work in putting this fine set together, and complementing the
excellent existing patches.) The idea is that the user can send bank
and patch changes to Yoshimi, using our excellent patch sequencer
program change feature, and changing patches on the fly, driven from
tracks in oomidi, but of course, midi only supports 128 patches per
bank.

If there's any way of splitting your bank in half and assigning a
separate bank number for each, i'd be willing to help with this at our
end, with mirrored bank and patch sets for our users.

Thanks fellas. Yosh has turned into a fine synth instrument, with good
stability, that does what it says on the tin here. I can see it
getting plenty of use as a complementary app for film scoring, and
creating rich musical soundscapes in a variety of styles.

Onwards and Upwards,

Alex.


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