Ingo Kl=F6cker wrote: >>>If her contribution is truly insignificant, then a better course of >>>action would be to create a replacement or simply omit her >>>material. Our best defense against possible legal entanglements is >>>immaculate adherence to copyright law. >=20 > I completely agree with Jonathan. My point is that her contribution to TMC is *writing*! Can you really=20 copyright *writing*?? The text did come directly from Joe after all. Stil= l, if=20 the consensus is otherwise we'll have to approach it differently. >>Difficult to replace, I would think. Her work appears on pp 4-5 of >>TMC. >=20 > What exactly did she do? The copyright page says "calligraphy only". To= =20 > my knowledge (and also according to=20 > http://en.wikipedia.org/wiki/Calligraphy) calligraphy is "the art of=20 > decorative writing". Furthermore the copyright page says that Gary=20 > Chalk did the "vignettes only". Are the ink drawings those "vignettes"?= =20 > I'm unsure about the meaning of this word. A vignette is a 'small scene'. This is often applied to a very short piec= e of=20 writing, but it can be applied to small pictures too. (www.dictionary.com= =20 defines it this way: n 1: a brief literary description [syn: sketch] 2: a= =20 photograph whose edges shade off gradually 3: a small illustrative sketch= (as=20 sometimes placed at the beginning of chapters in books).) > If Jane really only drew the text then it would be a breeze for=20 > Simon :-) to replace her handwriting with a similar looking font. Oh, thanks, find *more* work for me ta do, why don'tcha! :p I'm not sure = I=20 actually have a font that's even approaching in similarity. Anyone prepar= ed to=20 contribute one if necessary? (And "a breeze" is a very subjective term!) --=20 Simon Osborne "I punched a bloke in the face once for saying Hawk the Slayer was rubbis= h."